This is a brief update to my previous blog BEING CAROLE LOMBARD: MY PAST-LIFE IN HOLLYWOOD (read the blog here for the backstory).When Donna Ciaciarella regressed me to my past life as an actress in Hollywood, she thoroughly described a costume I wore in a film I was shooting "that had to do with a period piece". She described the costume as being a "southern belle dress" (listen to the recording at the bottom of the page from a little before 2:00).
I consequently tried to find evidence of Lombard wearing this type of a costume, but I came up dry. I researched most of her movies - read what they were about - but none of them was something I would really consider a period piece, especially one that took place in the South.
As it turns out, however, I wasn't looking carefully enough. About a week ago, I started to watch one of the most important films Lombard ever made. It was the film that essentially made her a star. The movie was called Twentieth Century.
I was only about fifteen minutes into the 1934 film when I saw Lombard wearing a dress that
gave me intense chills. The dress was almost exactly what Donna Ciaciarella described to me in her vision (see the movie poster above and the photo to the right). Now, Twentieth Century itself was not a period piece, but Lombard's character (Lily Garland) wore the dress for a play she was acting in. And the play WAS a period piece that took place in the Old South. Could Donna have been describing this play within the play? After all, Donna never said the film I was working on was a period piece; she said it "had to do with a period piece".
Of course, it's possible that there was another actress from the early twentieth century that wore a similar dress and may have starred in a period piece that took place in the South; but Donna's vision was almost exactly the same as what was going on in Twentieth Century. And when you factor in all the other evidence (that you can read about in my previous blog), I can now more confidently say that I had a past life as Carole Lombard in Hollywood.
Now, does this mean I am the reincarnation of Carole Lombard? No, I don't really feel comfortable saying that, seeing that I also had a parallel existence as a man in Poland around the same time period (read about the Poland life HERE). All I know is that my spirit, soul, consciousness, higher self - whatever you want to call it - previously incarnated itself as a woman named Carole Lombard. That's all I can say and I'm basically 99.9% sure now that this is true.
The entire mystery, however, is still not completely solved. As I described in my previous blog, Donna uncovered that I was raped in Hollywood by a man I was "madly in love with". Up until now, I assumed that I was raped during the time that I was filming the "period piece" and this is why Donna mentioned the movie in her vision. But my gut feeling seems to be telling me something different; right now, I don't believe I was raped during the time I was shooting Twentieth Century. And I don't think I was raped by anybody I was working with on the film. Lombard's costar (and legendary Hollywood bad-boy) John Barrymore briefly popped up as a suspect, but my intuition tells me he was a good guy and didn't do it.
To be honest, I think Donna described my part in Twentieth Century to me for reasons unrelated to the rape. In his book Regression: Past-Life Therapy for Here and Now Freedom, Dr. Samuel Sagan reminds people that past-life regression doesn't only uncover negative traumas, but sometimes positive trauma as well. Twentieth Century, after all, was known to be Carole Lombard's career-altering movie. It was the film that officially made her a big-time Hollywood movie star. Maybe the entire Twentieth Century experience was so positive that it left a good scar on my soul and this is what Donna was picking up on.
Anyway, the fact of the matter is that I don't think anybody associated with Twentieth Century raped me. But I do have a prime suspect in my head right now. I was reading some of Larry Swindell's biography on Lombard (Screwball: The Life of Carole Lombard) and I stumbled upon a few paragraphs describing a "fling" Lombard had with Howard Hughes when she was about twenty years old. Hughes was supposedly Carole's first crush. She was very much in love with him, but Hughes kept the whole affair very hush-hush and secretive, partly because he was also dating actress Billie Dove on the side. Lombard and Hughes saw each other for a while, but then Hughes called the whole thing off when he apparently lost interest in her. Carole didn't want to let him go. She told all her friends that she would get him back eventually. But she never did.
At the time of the affair, Swindell says that Lombard wasn't acting quite like herself while at work. She was actually fired from a Cecil B. DeMille movie she was working on (Dynamite) because she wasn't remembering any of her lines. According to Swindell, there was a "detectable vagueness about her that seemed contrary to the forthright, eagerly working Carole Lombard [colleagues] would later know and direct. It was the only case of her having been remiss in application." Was there something bothering Carole that made her 'vague' and 'remiss'? Was she just hurt when Hughes dumped her? Or was there something else bothering her???
What I'm getting at is that the "affair" between Lombard and Hughes sounded very similar to the situation Donna described to me in her vision. Donna said I was madly in love with whoever raped me. It was a teenage-like crush that I blew out of proportion. I had fantasies of marrying the man and living a fairy-tale-like life happily ever after. But the man had no romantic interest in me whatsoever. Donna described him as a "womanizer", which is exactly what Howard Hughes was known to be.
On top of all these similarities, I couldn't help but remember my eerie experience at a metaphysical bookstore called "The Enchanted Fox", when a medium working there (named Rose) said she saw an image of Howard Hughes when she looked at me. We were both confused as to why she was seeing Hughes, but could it have been because he raped me in my past life? This is all too possible, but I don't have any evidence to support anything. I am currently in the process of trying to get a medium to corroborate my suspicions, but I haven't had much luck yet. I also asked my friend Jan to dowse for me, but she wasn't able to get any answers for some reason. Maybe I'm not meant to get any answers. Maybe I'm just completely out of my mind. It's very possible, I suppose.
But, yes, right now Howard Hughes is the number-one suspect. I feel in my bones that it was him, but I can't go pointing fingers unless I have some sort of confirmation from a source outside of myself (which, I suppose, has to come in the form of a medium). Of course, Hughes is long dead (he died in 1976), so it's not like I would be able to press any charges or anything. But it would still be nice to attain some closure in regards to the situation.
I will, of course, keep you updated if there are any more developments in this mystery. If you have any information that can help me out (either from the real or spirit world) please let me know. I'll take anything I can get. Thank you.
Here is the actual recording of my regression session with Donna Ciaciarella. You can listen to the other recordings at my previous Carole Lombard blog (click HERE) or at my Youtube page (click HERE).
As it turns out, however, I wasn't looking carefully enough. About a week ago, I started to watch one of the most important films Lombard ever made. It was the film that essentially made her a star. The movie was called Twentieth Century.
I was only about fifteen minutes into the 1934 film when I saw Lombard wearing a dress that
gave me intense chills. The dress was almost exactly what Donna Ciaciarella described to me in her vision (see the movie poster above and the photo to the right). Now, Twentieth Century itself was not a period piece, but Lombard's character (Lily Garland) wore the dress for a play she was acting in. And the play WAS a period piece that took place in the Old South. Could Donna have been describing this play within the play? After all, Donna never said the film I was working on was a period piece; she said it "had to do with a period piece".Of course, it's possible that there was another actress from the early twentieth century that wore a similar dress and may have starred in a period piece that took place in the South; but Donna's vision was almost exactly the same as what was going on in Twentieth Century. And when you factor in all the other evidence (that you can read about in my previous blog), I can now more confidently say that I had a past life as Carole Lombard in Hollywood.
Now, does this mean I am the reincarnation of Carole Lombard? No, I don't really feel comfortable saying that, seeing that I also had a parallel existence as a man in Poland around the same time period (read about the Poland life HERE). All I know is that my spirit, soul, consciousness, higher self - whatever you want to call it - previously incarnated itself as a woman named Carole Lombard. That's all I can say and I'm basically 99.9% sure now that this is true.
The entire mystery, however, is still not completely solved. As I described in my previous blog, Donna uncovered that I was raped in Hollywood by a man I was "madly in love with". Up until now, I assumed that I was raped during the time that I was filming the "period piece" and this is why Donna mentioned the movie in her vision. But my gut feeling seems to be telling me something different; right now, I don't believe I was raped during the time I was shooting Twentieth Century. And I don't think I was raped by anybody I was working with on the film. Lombard's costar (and legendary Hollywood bad-boy) John Barrymore briefly popped up as a suspect, but my intuition tells me he was a good guy and didn't do it.
To be honest, I think Donna described my part in Twentieth Century to me for reasons unrelated to the rape. In his book Regression: Past-Life Therapy for Here and Now Freedom, Dr. Samuel Sagan reminds people that past-life regression doesn't only uncover negative traumas, but sometimes positive trauma as well. Twentieth Century, after all, was known to be Carole Lombard's career-altering movie. It was the film that officially made her a big-time Hollywood movie star. Maybe the entire Twentieth Century experience was so positive that it left a good scar on my soul and this is what Donna was picking up on.
Anyway, the fact of the matter is that I don't think anybody associated with Twentieth Century raped me. But I do have a prime suspect in my head right now. I was reading some of Larry Swindell's biography on Lombard (Screwball: The Life of Carole Lombard) and I stumbled upon a few paragraphs describing a "fling" Lombard had with Howard Hughes when she was about twenty years old. Hughes was supposedly Carole's first crush. She was very much in love with him, but Hughes kept the whole affair very hush-hush and secretive, partly because he was also dating actress Billie Dove on the side. Lombard and Hughes saw each other for a while, but then Hughes called the whole thing off when he apparently lost interest in her. Carole didn't want to let him go. She told all her friends that she would get him back eventually. But she never did.
At the time of the affair, Swindell says that Lombard wasn't acting quite like herself while at work. She was actually fired from a Cecil B. DeMille movie she was working on (Dynamite) because she wasn't remembering any of her lines. According to Swindell, there was a "detectable vagueness about her that seemed contrary to the forthright, eagerly working Carole Lombard [colleagues] would later know and direct. It was the only case of her having been remiss in application." Was there something bothering Carole that made her 'vague' and 'remiss'? Was she just hurt when Hughes dumped her? Or was there something else bothering her???
What I'm getting at is that the "affair" between Lombard and Hughes sounded very similar to the situation Donna described to me in her vision. Donna said I was madly in love with whoever raped me. It was a teenage-like crush that I blew out of proportion. I had fantasies of marrying the man and living a fairy-tale-like life happily ever after. But the man had no romantic interest in me whatsoever. Donna described him as a "womanizer", which is exactly what Howard Hughes was known to be.
On top of all these similarities, I couldn't help but remember my eerie experience at a metaphysical bookstore called "The Enchanted Fox", when a medium working there (named Rose) said she saw an image of Howard Hughes when she looked at me. We were both confused as to why she was seeing Hughes, but could it have been because he raped me in my past life? This is all too possible, but I don't have any evidence to support anything. I am currently in the process of trying to get a medium to corroborate my suspicions, but I haven't had much luck yet. I also asked my friend Jan to dowse for me, but she wasn't able to get any answers for some reason. Maybe I'm not meant to get any answers. Maybe I'm just completely out of my mind. It's very possible, I suppose.
But, yes, right now Howard Hughes is the number-one suspect. I feel in my bones that it was him, but I can't go pointing fingers unless I have some sort of confirmation from a source outside of myself (which, I suppose, has to come in the form of a medium). Of course, Hughes is long dead (he died in 1976), so it's not like I would be able to press any charges or anything. But it would still be nice to attain some closure in regards to the situation.
I will, of course, keep you updated if there are any more developments in this mystery. If you have any information that can help me out (either from the real or spirit world) please let me know. I'll take anything I can get. Thank you.
Here is the actual recording of my regression session with Donna Ciaciarella. You can listen to the other recordings at my previous Carole Lombard blog (click HERE) or at my Youtube page (click HERE).
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